Card Bomb How To

I'm making a million cards for Valentine's Day, and I know this makes me look crazy, but really, it's not that difficult.

I don't think I clarified before that the cards I'm making for my boys are little 2"x3" valentines, almost like the ones they will be getting at school from friends.  Their Valentines are easy to throw together rather quickly, and it's easy to batch create them when you do them assembly line style.  I make each one unique, but I get my stuff ready before I start.

My husband's cards are all handmade individually, and they're bigger, and they're for him, so they take up much more time.  I had already made him five cards, I believe, throughout this past year, knowing I needed to get ready for this, so that means I have 9 hand crafted cards to make over the next 13 days.  All in all, not impossible, but those are made the old fashioned way, so I don't have any real advice for getting those done except to just do it.  Whenever there's a spare moment, make something.  That's how I roll around Valentine's Day.  Come to think of it, there always seems to be some occasion, so it seems like that's how I roll for most of the year.  I keep busy!

Valentine Card Bomb How-To

If you were interested in making handmade Valentines for your child (probably a girl, unless your boy is in Kindergarten or you have a lot of really manly supplies... I had to throw that in there, because I have never made handmade Valentines for my boys to take to school even though I constantly dreamed of it, which may be how this whole Card Bomb thing started) to take to school, these tips and tricks would work out well for you!  I'm making 28 cards this way.

First of all, and most importantly, decide on your basic color palette and stick with it.  For my cards this year, I'm doing red, black, and creams and browns (vintage), with occasional splashes of pink.  Deciding this ahead of time helps you to make the best use of your time by eliminating most of your choices in decoration.  Less agonizing over choices means getting more work done.

Next, pick out colors that match your theme and cut out and score all of the card bases.  The base size of the card pieces themselves is 3"x4".  You can get twelve 3"x4" pieces from each piece of cardstock.  Score each piece 2" in along the 4" side.  I leave them unfolded until assembly so that they all stack neatly.

Side note: This is a great way to use up those weird, random pieces in a 12"x12" stack that you don't really like, but don't really hate, but that you know in your heart you will probably never use.  It's funny how even the weirdest patten ends up looking SO cute folded up as a little 2"x3" card.

Prepare appropriate stamps and punches for sentiments, decorations, etc.  I'm making at least two each of 14 different sentiments for 14 different cards.  If you were batching these for a classroom, you would probably just need one sentiment for all of them.  Because each day my boys need to get a unique card, my process is more involved in this step.  I use a lot of Stampin' Up! stamps and punches because they coordinate.

Grab a piece of white or light colored cardstock and start stamping images along one side, making sure to leave room for the punch to go around each one.  I use only one color of ink (usually black or dark brown) to save myself time.  I have a baby wipe on hand to wipe each stamp clean as I finish, and I put everything away as I work.

When you get all the way to the edge of your page, punch out each image, and then slice off that portion of the paper with your slide cutter.

You end up with a really cute pile of punched sentiments and a fresh edge to start working again.  Go ahead and just keep repeating this process across the page.  Try to, for the most part, use punches that are about the same height, that way you don't use up too much valuable page space.  But, above all, don't agonize too much over this part. 

If you're not sure whether or not a certain image will fit inside a certain punch, just make yourself a template from scrap paper (or cut apart a piece from one of the strips you've been making) and simply lay it like a window over the stamp to see if it will work.

This also works very well for helping you eyeball placement of stamps along the edge of the cardstock.

After about 45 minutes to an hour of work, I ended up with a nice pile of sentiments that looked something like this:

Now, you could totally just go from here and start work on your cards, but I happen to have border stamps that fit each one of these punches, so I sort of had to do an extra step.  To me, I think truly beautiful objects are all about the details of their creation.  This is for my precious boys, after all, so I have to add these steps even though they probably will never know or care.  It's just essential to me, whether or not they recognize the work in the final product, that my love can't be expressed with anything less than my best.  It reminds me of God, actually, and the way He loves us every day.

Now that I got myself all teary eyed over the boogens in the middle of my own tutorial (hopeless sap, I know, but I can't help myself), I will show how I do border stamps on punches.  If I'm doing multiple punched images (sentiment AND border), I always do it this way.  If I'm doing only a border, then I stamp the border and punch it out.

This way seems to get more consistently good enough results, if that makes sense.  I have yet to find a method that is perfect every time.  Some stamping genius probably knows some way to line everything up perfectly (and, actually, I know how to do it, too, but it's too time consuming to contemplate), but usually when I'm making stuff, I have to get something done, so I do as few steps as possible.  This works out very well for me, especially when using a light colored ink.  It all ends up getting rather well hidden when you ink the edges of the punched pieces.

Lay your stamp down, face up, on your work surface.  Ink it with a light colored ink.  I used Distress Ink in Antique Linen, and I also used Victorian Velvet, which is not very light at all, but I almost never completely follow instructions.  Even my own.  Basically, you can use a darker ink if it's not going to interfere too much with your sentiment.

(Also, at this point, if you're going to be assembling cards right away, you might want to plug in your hot glue gun if you use it.)

Okay, stamp inked and ready.  Take your punched piece and lay it on top, lining it up as best as possible.  Basically, you're going to reverse stamp now.  Take a clear block or the back of another wood mount stamp and press it onto your punched piece to get an even press of ink across the surface of the paper.

For truly tiny stamps, you can just press on the back of the paper with your fingers.

When you're all finished, you should have a nice little pile of double stamped sentiments that look something like this.

Not all of them are absolutely perfectly centered, but it's not the end of the world.  I put the details, and I always aim for perfection, but I don't let it get in the way of getting things done.  Anyway, I think it just adds a lovely extra layer of craftsmanship to have the borders on there.  If you don't have border stamps, you can stamp a background stamp with a light ink (for REAL, a light ink this time, even I wouldn't not do it in this situation) over your sentiment to create that extra layer of craftsmanship.  It will still look really nice!

To assemble, get your hot glue gun (or some other quick drying adhesive) ready to go.  I am discovering that I love tissue tapes because they save so much time!  Pieces of cardstock would work just as well.

Pick your punched sentiment, plan where it should go, fold up the card base, and get to work.  Basically, lay some kind of grounding strip (tissue tape, cardstock, ribbon, or combinations of those) centered where your punch will go.  I am finding myself obsessed with banners right now and decoration everything I see with little strips of ribbon hanging down, like you can see in the "you're a gem" card in the back.

I like hot glue for this because it's fast.  I do a line of adhesive on the card itself and then press the ribbon on top.  For my ribbon dangles, I run a line of hot glue over the back of the punched piece, then put my little ribbons in place.

I purposefully use the same exact embellishments on the cards as I make.  Obviously, this saves time, but since I usually make these in separate groups, it creates a natural mix in the finished pile of cards.

I made these five cards in about 20 minutes.

Inside of each card, I put the number and write something sweet.

You also need a way to keep track of which sentiments you used.  I just grab an index card, label it with each child, and create a checklist.  As I use a sentiment for one child, I put it on each child's list, but only check it for the child that received that card.  This way I don't have to hunt later to find the different sentiments and figure out which child got what so far.  This is my 2013 improvement.  I have high hopes for it!

Because these cards are so small, they and all their papers and sentiments fit very nicely into a sandwich size bag.  I throw everything in there after I'm finished working and toss it into my desk drawer.

It's a lot of work, but I find it so necessary.  I'm creating a crazy memory for them more than I'm making cards.  I love the idea of them sharing this memory with people.  Even when they're teenagers and they'll probably think it's so lame, I'll keep going.  I'm not too far away from my "everything-is-so-lame" teenager years that I don't remember that I also did actually appreciate stuff, but was too "meh" to admit it.

Here is the display of the Card Bomb, day one.  It ends up looking much more impressive later.

And here is a closeup of Adam's card, but you can't see inside that one.

I'm off to add more cards to the table, turn Netflix on my laptop, and make some more!

Valentine Card Bomb

I'm prepping right now to start my annual Valentine Card Bomb.  Basically I make one card for Adam for each day leading up to Valentine's day in February, so he gets 14 cards.

A few years ago, I thought Thad would be really blessed by the same thing, so I started doing it for him, too.  That's 14 more cards.  That's 28 cards.

Then last year, Elliott was learning how to read, and I thought that he would probably like to be included, too, so I figured, what the heck?  I added him.  He gets 14 cards.  That's 42 cards.

I've been asked to make 10 greeter name tags for the women's ministry at my church.  Oh, and could I please have them finished by the first week in February?  That brings the paper crafting item count up to 52.

So, if I develop a tick in my neck, and if you try to hand me a piece of paper over the next few days, and if, in response, I start twitching uncontrollably and stab the paper with a stake and start backing away from you while holding out a huge cross and some garlic, don't take it personally.  It's simply that I've forgotten what the world beyond my desk looks like, and I can no longer tell the difference between paper friend and paper foe.

Some people might simply suggest that I stop making everything so hard on myself.  Don't make that many cards.  Don't volunteer to make more things right before you have to make that many cards.

As to the cards, I don't know that I really have to explain that much.  My family is amazing.  The other day, it got a bit colder out, and Elliott said, "Mom, I want to wear ALL of my warm things."

You can just guess, I bet, who knit all of this stuff.  Not only does his little body stay warm, but stuff like this makes my heart warm and also makes me do crazy things like make these people 42 cards for Valentines Day.

As to the limit on extra volunteering at times like this?  I'll take it under advisement.  If you understand that by "I'll take it under advisement" I really mean, "I'll realize that this is wisdom I should pay attention to, but I'm actually going to go ahead and shove that common sense voice way into the back of my mind, where it belongs, and let the blue-painted-screaming-warrior-crazy-me take over as I moon my responsibilities, then charge forward without armor swinging a great, huge slide cutter while crying out, 'THEY MAY TAKE MY LIFE, BUT THEY'LL NEVER TAKE MY FREEDOM!'"

I fully expect no sympathy.  But in the tradition of all crazy, butt-baring, blue-painted warriors, I also fully expect victory.  Fortune favors the bold and all of that.  This is just the way I do things.

I feel the crazy grin forming now.

Civic Duty

Yesterday I had to go out for jury duty.  Adam happened to have yesterday off work, so he was home.  I wanted to stay here with the kind of fiery passion with which my friend, Michelle, would want to stay home if Henry Cavill had the day off and wanted to spend the day with her.  I have both entirely sweet and appropriate love for my husband and the kind of inappropriate, hot and dark kind of attraction for him that most people reserve for their celebrity crushes.  I wasn't looking forward to leaving.  Leaving the hottest man on earth is never easy, no matter who you think he is.  (Sorry, Henry, it's still Adam.  Michelle and probably millions of other women would beg to differ, though, so don't feel too bad about it.)

I got to the courthouse and had my bag searched, saying vehement and constant prayers that they wouldn't take my knitting away.  I'm doing a self-imposed sock of the month club this year like Stephanie Pearl-McPhee did a couple of years ago and I'm determined to at least get January done.  I'm knitting on my Signature stiletto needles.  These needles have made strangers come up and say to me, "Whoa, those look like they could kill people."  Those strangers are right!  Thankfully, the purse searchers were not of the same opinion, because I got to keep the knitting and all was well.

I made my way to the jury summons room and got to it.  I was the only one in the room knitting.  Other people got stuck with magazines.  I felt sorry for them, but happy for me.  I was stuck doing stupid jury duty with a hot man at home, but at least I was being productive.

After a while, a judge walked into the room.  I put the sock down while he talked because I was being polite.  It still cracks me up that I put my knitting down to be polite.  I mean, I know that I'm still listening, but people don't know you're still listening when you knit, almost like they think that any motion in your hands shuts your ears off, but I digress.

He explained what a privilege it is to come in for jury duty.  That we're either the only country or one of the only countries in the world that judges its people by the people.  People have the right in this country (America) to judgment by their peers.  He said we were the judges in the courtroom, and the most important people there.  At first, I knew he was just trying to convince us that being there wasn't akin to midieval torture, but after he kept talking, it sort of started working.

I started feeling really good about going in.  (The sock felt really good, too.)  I was being a living part of the Constitution of our country.  I got all of these warm, patriotic feelings.  He said that the Constitution guarantees that right, but that it's just meaningless words on a page without us, the people, doing our duty to make that right possible.  It reminded me again about how important it is that we, as citizens, get involved in our country to make it better.  Whatever our politics, we can't just gripe about what we don't like--we have a reponsibility and a duty to make positive change wherever we are, wherever we go.

The judge left after a little while and I got back to my knitting, feeling a bit glowy inside.  I'm just the kind of ridiculous sap that this stuff works on, too, and I'm not ashamed to admit it.  I felt like even though I was missing out on being with Adam, I was doing a good thing, and I shouldn't be too upset.

After a little while, another man came into the room and said, "I have some good news, depending on how you look at it."  He said that the parties in the trial had reached a settlement and our service was no longer required.  He said that many times in these situations it takes the parties just knowing that the jury has assembled to get them realizing that they're about to go somewhere they might not want to go.  They'd better come up with their own solution, then, instead of putting themselves at the mercy of all of the people they've dragged into their issue.  People might have been too busy packing up to listen very well to all that he said, but I had a row on a heel flap to finish, so I sat politely, impolitely knitting as he talked so that I could break out of there and fly home to my love.

The sock was pretty thrilled about not actually having to do its civic duty.

Top down hat method: no pattern, no gauge swatch, no stitch markers!

I get comments all the time about how clever I am, but really I feel like what I actually am is lazy to the point that I always end up creating about fifty times more work for myself trying to avoid certain steps I find reprehensible in certain creative processes.  Occasionally, the results of my spectacular need to avoid work end up looking like brilliance, but I always kind of shrug off any suggestions to that end... I'm too familiar with myself and my own motivations to accept such praise.

I love knitting.  I really just love making things.  That's the other key to practically everything I do--I LOVE making things.  As in, I love making things.  To clarify further: I adore making finished objects.  As in, FINISHING things.  So, I suppose that actually I can say that I really just love finishing things.  Simple is good for me.  Getting it done is usually my goal.  There are very few things in this life that I make just for the pure joy of the making.  This might make me sound much less romantic about my "art", but really I feel that I make very little art.  I don't find some huge satisfaction in being called an artist.  I make things.  Finished things.  With two boys and a very full life of volunteering, business, etc., I don't feel like I have time for anything but actually accomplishing something when I finally get to sit and make things.  This could be why I feel so obsessed with making tutorials on my blog.  It's hard for me to feel motivated to share just about myself... that doesn't feel like an accomplishment.  But teaching something?  There, now, THAT'S suspiciously like making something (a tutorial), so I can do it.

Hence, my top down hat "method", which has been called brilliant, yet feels anything but for reasons mentioned above.  I'm going to attempt to teach here how I do it without a pattern and without stitch markers.  I apologize in advance for the quality of the pictures, but what I had with me when last I was working with massive yarn was my cell phone in very poor lighting.  I attempted to edit them to be clearer in Instagram.

This method was basically taken from Barbara Walker's "Knitting from the Top", which is actually brilliant, but pretty hard to get through at times.  You have to really read it and re-read it to get some of what she's saying, and most of her methods involve a ton of math.  I think it's worth it to learn her methods because once you do, you know how to make something, instead of just reading a pattern.  You develop an understanding of the process rather than blindly following someone else's directions.  I'm going to put the key words in bold so that you can find them if you're just skimming for tips and don't feel like reading all of what I'm saying here.

I said before that I work very hard to avoid certain steps.  Two things I hate more than almost anything on earth (in the confines of knitting) are gauge swatches and the use of stitch markers.  I don't think I have to explain the gauge swatch to anyone.  The stitch marker thing might sound strange, being that I kind of make the best stitch markers on earth (according to my friends at my LYS, who faithfully and constantly buy them from said LYS), but it's really more for situations such as making a top down hat... when you have to use more stitch markers than stitches at first.  I don't mind one or two in a shawl, across a few hundred stitches, but having eight stitch markers for eight increases over only 60 stitches or so?  Drives me crazy!

So, this method is about getting rid of gauge swatches and stitch markers... let's get down to it!

Basically, you start with as many stitches as you'll increase.  I do 8 stitches every other row for a standard hat with a nice, gently rounded top.  This works out brilliantly for me because I knit on five double point needles, so everything divides nicely into four for me.  I do 4 stitches every other row if I want to make a totally cute elf style hat.

Use needles that usually make a good fabric with the yarn you're using.  If you have no clue, usually the ball will tell you somewhere what size needles, from smallest to largest, that the manufacturer feels work best with their yarns.  If you tend to knit very tightly, use the largest listed needles.  If you tend to knit very loosely, use the smaller needles.  If you have no clue how you knit, just pull out all the sizes the label says, close your eyes, and pick a set at random.  Fortune favors the bold and all of that... Carry on!

With some irony attached, here's the basic pattern for the patternless top down hat:  (Many VEHEMENT thanks go out to MissJones on Ravelry who caught my mistake below and fixed my instructions for me!  Thank you so much!)

Cast on 8 stitches.  Join for knitting in the round.
Row 1: knit plain
Row 2: knit each stitch front and back until the end of the round.  (16 stitches)
Row 3: knit plain
Row 4: knit 1, knit one front and back.  Repeat until the end of the round.  (24 stitches)
Row 5: knit plain
Row 6: knit 2, knit one front and back.  Repeat until the end of the round.  (32 stitches)
Row 7: knit plain
Row 8: knit 3, knit one front and back.  Repeat until the end of the round.  (40 stitches)

I hope you've detected the pattern by now.  Every other increase row, you will knit one more stitch than the row previously before you increase.  Once you've knit far enough, you should be able to spread the emerging hat flat enough that you can measure how many stitches you're getting to the inch.  Do this on 3-4 places on the hat to make sure you're getting a constant measurement.

In my experience, knitting requires both math and figuring.  Stay with me and I'll explain myself, and hopefully I'll do it well.  There's the cold hard calculations and numbers... That's the math.  Your gauge measurement is where the math comes in.  Say I'm knitting a hat on size 10.5 (6.5mm) needles with bulky yarn and I'm getting a gauge of 3.5 stitches to the inch.  If I need the hat to fit a 21" head, I would multiply my gauge by my desired finished size.  In this case: 3.5 x 21, which equals 73.5.  That's the math.

I don't know about you, but I don't really know how to knit 73.5 stitches, so I'm going to have to figure this out to make it easier on myself.  This is the figuring.  Usually, with knit hats, you can get away with the thing being about an inch too small.  In fact, I would say that you actually WANT to knit slightly smaller than your desired finished measurement so that the knitting gets to stretch a bit and hug the recipient's head, rather than just sitting perfectly on top and then falling off every time they pull a hood up and down or cartwheel or whatever else they may do.  So an inch less than 21" is 20", and 3.5 x 20 = 70.  So we have two math results of 73.5 and 70.

To make things easiest on myself, I want a final stitch number that is divisible by my number of increases, that way I can end up with even sections, which makes me happy.  So I'm looking for a final number that is divisible by 8 (because I keep increasing 8 stitches).  A number between 73.5 and 70 divisible by 8?  We've already got it... It's 72.  If you are knitting on a circular or on two circulars or whatever, then this is the end of your figuring.

Now, I'm knitting on five double point needles, so one needle is the working needle, and four of them are constantly holding my stitches.  I like for the number on each needle to be even.  So I want to have a final number that is divisible by four, because four needles are holding my stitches.  Obviously, if the final number is divisible by 8, then it's divisible by 4.  But these are the things you have to think about when you do your own figuring if, say, you were increasing 7 stitches instead of eight.  I don't know why you would want to do that, but you could have some amazing reason that makes total sense to you, and it's helpful to know that being able to divide it evenly across your needles, however many you use, is helpful if that's something that you care about.

So now that I've done both my math and my figuring, I know that I will increase until I have a total of 72 stitches, or a total of 8 groups of 9 stitches.  Or, on my set of five double points, I would end up with 18 stitches per needle.

So how do you do all of these increases, especially if you're knitting with a smaller yarn, if you're not using stitch markers?  And how do you know when to do an increase row vs. a plain row if you're not using a row counter?  In fact, how can you knit a whole hat without a pattern and without even keeping track of anything at all!?  It's by learning how to READ your knitting.  It looks brilliant, I suppose, but really it was because I was sick of having to go to the effort of, like, making a hash mark on a piece of paper or something.  (Oh, the horror!)  Or, you know, putting a marker somewhere in the knitting.  (The stuff of nightmares!)  So I sat and figured out how to do it without all of that other stuff.  Fellow lazy crafters, rejoice!

Enter the photos...  I will do my best to explain, and again, I hope I do it well.

When you knit front and back (my preferred method of increasing for these things), you end up with a kind of a lump marking where you did an increase, like so:

When this lump is sitting RIGHT next to the needle or cord as in the photo above, you know you've just completed an increase row.  If you've just completed your increase row, it's time to knit a plain row.

Here is what your knitting looks like after you knit a plain row.  See a stitch has formed above the last lump?

So with that plain stitch above the increase lump, you know it's time to do an increase row.  How do you know where to increase without a marker?

Enter my gorgeous husband, who is pointing out with a third needle where the increase goes.  You knit front and back in the stitch on the needle that's over the last lump.  See, in the photo below, I've knit up to that point...

And NOW, I've knit into the front and back of that one stitch, making a new lump.  See how it stepped to the left of the first lump?

So the next time you come around, you'll see the lump sitting next to the needle and knit a plain row.  Then when you come around again, you'll see a stitch sitting on top of the lump and you'll knit into the front and back of the stitch on the needle over the lump, creating a NEW lump that sits farther left.  So you'll always increase one stitch in exactly the right place.

Now you basically just repeat this process until you get enough stitches to measure.  Then you do your math and your figuring and knit until you have as many stitches as you need, then you knit however you want until the end.  I stop about an inch and a half short and do some ribbing.  Rib the whole hat if you want to.  Again, it just depends on what you want at this point.

If you do this process on five double points like I do, you don't have to do as much "reading" of the knitting as someone knitting on a single circular or on two or whatever, because you'll always have one increase in the middle of one needle, and then at the end of the needle, so you'll increase in the middle, then knit and increase in the end without having to "read" at all.  You also don't even have to mark the beginning of your round because a quick glance at the lump on the needle tells you whether or not you're about to increase or knit plain.  If you are knitting on a 16" circular, however, even I would mark the beginning of my round.  Again, I'm not totally against all markers.  I just hate having a million of them.  I wouldn't mark the beginning of the round for two circulars or for magic loop because the beginning of a round is always one side, either way, and a quick glance at the lumps tells me what I'm doing for that entire half of the hat.

For the bind off, I thought I was doing Jeny's Surprisingly Stretchy Bind Off, but I found out I was doing it wrong.  Here's what I do (and it works very well):

I bind of all knit stitches in a typical bind off.  Knit two.  Slip the right stitch over the left stitch on the right needle.  For the purls: yarn over, purl the next stitch, pass both right stitches (previously bound off stitch AND yarn over) over left stitch.  Repeat for every purl.

If you did knit one, purl one, you'd basically knit one stitch, yarn over, then purl one stitch, and pass the two right stitches (yarn over plus bound stitch) over the left one.  Then you'd knit the next stitch and pass the right stitch over the left stitch, just like a plain bind off.  Then yarn over, etc.

When I was binding off the purl way on every single stitch, the edge would be almost comically stretchy, so I've started doing it only on the actual purls.  But actually, I bind off ALL of my shawls this way, with that yarn over purl thing, whatever the pattern edge is.  I know at least one lady at my LYS who does all of her shawls this way now, too.  It's seriously crazy stretchy.  You can block the heck out of it.

So how long do you make the hat?  I'm somewhat unscientific about stuff (I don't know if you can tell), but what seems to work for me is to lay the piece flat and look at what I've knit.  Not counting the dome part (or point part... if you're making an "elf" hat) of the top of the hat, I try to make the bottom part look like a slightly squat little square.  So knit the bottom part of the hat (beyond the increases) a bit shorter than the width.  This seems to work out perfectly for me.  Knit it longer if you want or shorter or whatever.  This is the part where your own figuring has to come in, and the preferences of the person you're knitting for, or the climate.  If you need that extra few inches to fold up over your ears because you live somewhere that actually gets cold, then knit extra.  If you want one comfortable layer because your "winter" makes most people laugh their heads right off, then do what I do.  OR, if you really want to be scientific about it, look up some free hat pattern on Ravelry using your weight of yarn and see how long they made their hat, and do it the same.

I hope this was in any way helpful to anyone.  I know it wasn't a real pattern, but it wasn't supposed to be.  I was trying to let you figure out how to make your own stuff.  Hopefully I did that!  I'd love to see any pictures of anything you make using this tutorial.

2012 Gift Toppers

I tried to do every single gift and I didn't quite make it... but here's some more of what I DID get done.  I had so much fun doing this that I know I will do it again next year.  If the exclamations are any indication, everyone thought they were lovely.  If even one person felt extra special and loved from all the time I put into this, then my goal was accomplished.

Here's to Christmas 2012!  I hope everyone had a lovely holiday.  ^_^

Inaugural Inspire and After, on a Card

You've heard of "before and after", but I'm talking "inspire and after".  Some call it scraplifting, or something cute like that, but I like this little term I'm officially coining as of now.  Basically, I get inspired by such random things and in so many different ways that I can't apply a term used by one craft or art to all of my inspirations and what may result from them.

So here it is, my first "Inspire and After".  This time, it was a card that made a card, so it's not an amazing shift in creativity, but I still like how it came out.

First, I'll say that I adore my SMASH Book.  It's like Pinterest in notebook form.  Basically, I take old magazines or catalogs and cut them up and put what inspires me into my SMASH Book, with little written things that let me know why I put it in there.  It helps a lot, especially for stuff like this that is NOT my normal style.

I had that urge to make something.  Even though I adore technology (as evidenced by my Instagram edited cell phone pictures which I synced to my Google+ account to add to my blog), I'm not huge on inspiration coming from technology.  Pinterest is cool, and I DO have a Pinterest account, but I hate having to sit at my computer and sign in and look around for inspiration.  It's a lot of trouble and a lot of extra steps.  Being crafty, too, I'm sure there's something about the hands on nature of the SMASH Book that I adore.  When I sit at my desk and I don't know what to make, I can just reach up on my shelf, pull my SMASH Book down, and start flipping.  It can be opened, stood up on end, worked on top of, shifted around...  And if I should so happen to spill coffee on it, it's not a $1,000 hit.  That's a totally appreciated level of security, let me tell you.

The SMASH Book is also not distracting.  Pinterest is distracting.  Pinterest leads to searching and pinning new stuff, until I've spent 17 hours of my day getting NOTHING done.  I may have done 500 new pins, reorganized my boards to help classify it all so that I can "find it later" (which I never do), but I used up ALL of my creative time pinning and didn't accomplish a single tangible thing.

My personality type just doesn't mesh well with distraction.  I need to be at my desk with my inspiration so that when it hits, I can reach for my supplies and get going.  This is why the SMASH Book works for me.  I flip through a book of what I already like.  I find inspiration.  I actually get stuff made.  Love!

Actually, twice now, I've made something totally cool inspired by something that I stuck into my SMASH Book, submitted it for publication, and got accepted BOTH times.  (Cricut Magazine, October 2012, and coming up in February 2013.  Look for me! ^_~)  So, yeah, it works.

Anyway, like I said, I got that urge to make something last night.  This must be what chronic exercisers and marathon runners feel when they just get an urge to go run 10 miles.  They just have to move.  I just have to make.  I flipped through my SMASH Book.

Here is the Inspire:

It's not at all my style, but the note said, "over all simple design; cute scallop edge", and I knew what I wanted to try.  It's from an old Stampin' Up! catalog.  These are the kinds of notes I make... I know exactly what I want to try later.

Since lately I'm trying to challenge myself to go more clean and simple, I decided to try a clean and simple design.

Here is the After:

I think that if I had it to do over again, I'd put the pearl cluster at left slightly lower.  But overall, I'm really happy with the way it turned out.  ^_^  I wanted to use only one ink color, too, because I just didn't have a lot of time and needed to get something made to satisfy the urge.

The stamps and punches and pearls and card base are all Stampin' Up.  The other papers are various manufacturers.

I personally feel that more options (Pinterest) are actually worse for creativity than fewer options (Self-filled SMASH Book).  If you don't have a SMASH Book, you should totally get one.  Even Walmart is carrying them now!  They have thick cardstock pages inside and are very sturdy!

If you don't want to spend the money, that's understandable.  Get a regular notebook, but at least go get yourself a SMASH pen.  It's a glue stick in one end and a pen on the other end, so you can glue and then immediately take notes.  It's awesome!

Paper Craft Christmas Gift Toppers

I'm doing fancy gift toppers this year!

Basically, I've spent weeks now throwing together extra rosettes and little roses in neutrals and Christmas colors.  Any time I had a few minutes to sit and make stuff, I've been making things for gift toppers.  I've cut white extras, green extras, brown, red, etc... Little things to put here and there.

I've gotten the Cricut involved.  I've hunted my stash for anything bright and beautiful.  I pushed past all of the voices in my head that told me I was crazy for planning something like this.

I stamped and punched a bazillion tags.  I got Christmas cardstock for boxes.  I got cute ribbons, but mostly I'm using 50 cent a spool ribbon from JoAnn.

With all the prep, I feel like a Christmas genius!  I know it's crunch time now, but if every now and then you need a break and want to just make something pretty, you can still get some of these beauties together.

The beauty of this, too, is that by sticking to a palette of neutrals and Christmas colors for the decorations, you'll be able to use the decorations you make all year long.  Neutrals and red or neutrals and green... Gorgeous!  And totally not only for Christmas!

If you don't already know how to do rosettes, there are a million tutorials out there you can find.  For roses, THIS was my original inspiration: http://www.bystephanielynn.com/2010/11/diy-faux-curled-rosewood-wreath-made.html.  Stunning!

I personally make my roses with paper, not cardstock, and start with 3" squares which I assemble into roses two layers at a time.  (Cut spirals into two squares at once, then roll up.)  This gets me 8 roses out of one sheet of 12x12 paper.

Here's my process for assembly:
1. Measure gift. (Every single one of these is holding knitted treasures, so I'm measuring the folded item.)
2. Make appropriate box.  (The Martha Stewart scoring board has the measurements listed out so that you don't have to think about it.)
3. Arrange various pieces on top of the box until you have a pleasing arrangement.
4. Assemble the gift topper with hot glue, separate from the box.  I use extra scraps of cardstock on the bottom, if necessary, to hold things together.  But mostly I'm just gluing on top of rosettes, which are already pretty sturdy.
5. Wrap gift in tissue paper, situate inside of box.
6. Tie ribbon in a simple bow around the box, leaving long loops.  Trim tails even with loops.
7. Attach gift topper to box with Zots or glue dots or tape or whatever you want to use... I try to do it so that the box and topper can be reused, if desired.
8. Attach the name in such a way that it can be cut off or removed without destroying the entire topper.

Each gift is taking less time to put together and decorate than hunting down perfect boxes and wrapping.  These things look amazing, and I'm saying that in all humility because, seriously, with stuff this cute, how could it not?


And with all of the reactions I've gotten so far, I'm thinking that next year as Christmas presents, I'm going to be putting together gift kits for people so that they can decorate their own gifts like this if they want to.  ^_^  I LOVE everything to do with presents!!!

(One of my primary love languages is giving and receiving gifts... Can you tell?  ^_~)